“They talk about the editor’s opinions,” struck in a fiery little woman who was busy flinging crumbs out of the window to a crowd of noisy sparrows. “It’s the Advertiser edits half the papers. Write anything that three of them object to, and your proprietor tells you to change your convictions or go. Most of us change.” She jerked down the window with a slam. It was a summer’s evening; Joan had dropped in at the Greysons and had found Mary alone, Francis not having yet returned from a bachelor dinner at his uncle’s, who was some big pot in the Navy. They sat in the twilight, facing the open French windows, through which one caught a glimpse of the park. A great stillness seemed to be around them.!

Suddenly, and intensely to her own surprise, she fell into a passionate fit of weeping. There was no reason for it, and it was altogether so unlike her. But for quite a while she was unable to control it. Gradually, and of their own accord, her sobs lessened, and she was able to wipe her eyes and take stock of herself in the long glass. She wondered for the moment whether it was really her own reflection that she saw there or that of some ghostly image of her mother. She had so often seen the same look in her mother’s eyes. Evidently the likeness between them was more extensive than she had imagined. For the first time she became conscious of an emotional, hysterical side to her nature of which she had been unaware. Perhaps it was just as well that she had discovered it. She would have to keep a stricter watch upon herself. This question of her future relationship with Phillips: it would have to be thought out coldly, dispassionately. Nothing unexpected must be allowed to enter into it. Years afterwards, listening to the overture to Tannhäuser, there came back to her the memory of that night. Ever through the mad Satanic discords she could hear, now faint, now conquering, the Pilgrims’ onward march. So through the jangled discords of the world one heard the Song of Life. Through the dim aeons of man’s savage infancy; through the centuries of bloodshed and of horror; through the dark ages of tyranny and superstition; through wrong, through cruelty, through hate; heedless of doom, heedless of death, still the nightingale’s song: “I love you. I love you. I love you. We will build a nest. We will rear our brood. I love you. I love you. Life shall not die.”

“No,” answered Madge, “but I think I can guess. She hopes—or perhaps ‘fears’ would be more correct—that her husband is going to join the Cabinet, and is trying to fit herself by suddenly studying political and social questions. For a month she’s been clinging like a leech to Helen Lavery, who takes her to meetings and gatherings. I suppose they’ve struck up some sort of a bargain. It’s rather pathetic.” Beauty. That was the key to the riddle. All Nature: its golden sunsets and its silvery dawns; the glory of piled-up clouds, the mystery of moonlit glades; its rivers winding through the meadows; the calling of its restless seas; the tender witchery of Spring; the blazonry of autumn woods; its purple moors and the wonder of its silent mountains; its cobwebs glittering with a thousand jewels; the pageantry of starry nights. Form, colour, music! The feathered choristers of bush and brake raising their matin and their evensong, the whispering of the leaves, the singing of the waters, the voices of the winds. Beauty and grace in every living thing, but man. The leaping of the hares, the grouping of cattle, the flight of swallows, the dainty loveliness of insects’ wings, the glossy skin of horses rising and falling to the play of mighty muscles. Was it not seeking to make plain to us that God’s language was beauty. Man must learn beauty that he may understand God. “I don’t suppose you will agree with me,” he said. “Somehow I felt I had to.”